![]() As you'll see below, it's relatively easy to match the digital files to film, once you get the recipe right, batch editing will allow you to apply the preset to multiple images in similar lighting conditions. Kirk has a great little tutorial on matching digital and film images on his website (accessible with a password from your purchase). Please be aware that these presets are not meant to be a one-click editing solution, in order to match the digital images to the film ones you'll need to manually adjust exposure, temperature, and tint to taste (matching digital to film precisely takes practice). With these presets you can "hybrid" shoot with 35mm /120 format and digital seamlessly integrating the film images you take with the digital ones. ![]() From my experience 400H excels in beautiful greens, pinks, blues, and has fabulous highlight rolloff - making it a favorite film stock for wedding shooters. The Mastin Labs system is unique in that it isn't meant to completely replace your film stock, rather it's designed to supplement it. ![]() With spring here, and summer right around the corner I couldn't think of a better time to try out the 400H preset system.
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